cumaeansibyl:

Ruby Rhod is one of my favorite characters in sci-fi ever because he is Luc Besson’s vision of the hetero sex symbol of the future: a flamboyant, emotionally labile man who wears skin-tight leopard print or decks himself in roses, a man who accessorizes with big jewelry and dabbles in cosmetics. And the ladies love him. Everything about him screams “gay” according to our stereotypes, but he’s portrayed as a 100% straight sexual dynamo.

Besson is one of the few directors I’ve seen who actually recognizes that our ideas of sexuality and gender performance might have changed drastically in the future.

icoulduseinsouciantmaybe:

crossbowsandwalkers:

me when I find a new actor/actress

#do you ever just channel willem dafoe and dramatically throw yourself into a bush

As a society, we are fascinated by fictional psychopaths. Humankind has an ‘ongoing… fascination with tales of gruesome murders and evil villain. Popular culture abounds with depictions of the mad and the bad; and aberrant psychology has proved a fertile source of such material to the novelist and the reader alike. Perhaps no single disorder holds as much morbid cultural appeal as psychopathy.

There is no question… that readers feel empathy with and sympathy for fictional characters and other aspects of fictional worlds’, yet it is difficult to see how one can empathise and identify with a character who is himself incapable of empathy. If empathy and identification are both the goal and the reward of reading literature, then we are left with a striking ambivalence which needs to be explored.